The wicked sisters.
The modern incarnation of Wolfenstein has always been a wicked world to inhabit; a deliciously bloody alt-history full of technologically-advanced Nazis, giant mechanical dogs and the kind of well-fleshed out villains who creep right off the screen. Always driven by a compelling and purposefully shocking story beats, the murderous career of one BJ Blazkowicz has proved to be one of the best single-player shooters money can buy.
The latest instalment in the series, Wolfenstein: Youngblood, carries some of these ideals forwards with pride and gusto. More than ever, Wolfie plays like a proper ultraviolent playground full of Nazis and mechanical monstrosities to eviscerate. It boldly tries new ideas and mechanics for this sequel of sorts, but it also loses some of its intrinsic essence along the way, and you’re left with something that’s fun to play, but far less memorable as a result.
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